Jose Luis Garcia Perez

Images courtesy by: Gettyimages.co.uk.

Courtesy by www.malagahoy.es and www.diariodecadiz.es 

Triumphs in theatres as Juan Tenorio while wheel for the small screen, Carlos VI Emperador, historical fiction under the robes of Hernán cortes. The Sevillian actor José Luis García Pérez also gets into the skin of Carlos, the protagonist of "El Pais Del Miedo", the first feature film of the screenwriter and producer Francisco Espada. Extremadura filmmaker presented yesterday this social thriller based on the novel by IsaacRosa, "a metaphor for the violent society dominated by their fears and little empathetic in which we live".

-How came to the project and what attracted you to it?

-We were shooting "Un novio para Yasmina", film which also produced by skylight and Francisco Espada, passed me the screenplay and the novel. He thought that I should interpret Fabian, brother-in-law, but when I read the novel I told him that I wanted to make Carlos; because the challenges only make you grow as an actor and that means to grow as a person, which for me is more important. Work on the fears, mine and those of the character, I thought it was beautiful and important.

-Why do you was a challenge?

-My voice or my physical girth the first thing you think about is how someone so going for fear of a 13-year-old girl. I have my own fears as a human being, but wanted to find that Carlos fear in me, live it, experience and that I serve to me.

-What would the highlights of Carlos, his character?

-If I have to highlight something as an actor, it would be the process that is living along the physical decomposition and personnel film. As a metaphor for the character, I would stress that neither as an individual or as a company we can live in fear because it only takes us to react wrongly. I think things change, the internal revolution and the loss of those fears is what can make us evolve positively.

-What cost you more prepared this interpretation?

-It was a very long work started by Skype. The process has not been to encounter with the shooting, but that for this reason and for the three weeks that we were also rehearsing together in Badajoz and arrived at the film very smoothly. Subsequently, a difficulty may be that credible fear of the character and not a pose, as that relationship of Charles and Martha were real and constant.

-Carlos is involved in a number of situations that the spectator may seem absurd or even unrealistic...

-I think that none of us know what would happen to us in that situation. It's easy to always think about what happens to the other but only when we experience it in our flesh, we know what is the reality. In the case of Carlos, there is something hidden from the back, there is something pathological in it, but in a situation like none living, we would know how you would react and he has done so.

-That pathology, which evolves into the film, is noticeable from the beginning where it says people's fear also makes business.

-Is that I think makes business today with the fear of the people. If not I live surrounded by fear as whole mankind had not died 750 people on a boat who were escaping from their fears. Fear is a business, from gates to take it to the maximum end as in this case. I think they make us live in fear of another constant and there are people who make money from that.

-What fear gives you?

-Fears we all have and many you'll find along the way. The years pass and you are you afraid to continue spending more years but you can do nothing. So the only way to live is to try to clear these fears of the road and face each day as the first and only have to live, that is the key.

-What has led this project to your career?

-First experience, a character who had not worked ever and, in addition, entering Canal Sur has become an Extremadura Andalusian film and that Andalusia is present in the film is important and a pride for me.

-Do you have this question also because it has arrived at the Malaga Festival, Don Juan Tenorio still in theatres, shooting TV Carlos, El rey Emperador and other projects on the big screen as requisitos para ser una persona normal person or Lejos del mar.

-I feel privileged because there are many people that surrounds us living in insecurity, not as only in my profession but in all. I am lucky to take away at least one fear over and this is much longer.

-Combines film, theater and television but, if you have to choose?

-Remove me one and kill me. I guess that ultimately health will pass me the bill, although I care much. I like to combine the three because they are totally unique but also different experiences. As an actor make you grow in different ways and I is what certainly look.

Photography by Daniel Fernández Sosa

Courtesy by www.elarcondenatalia.es

Ingles version:

And if this day has served for something special and that helps to understand the character of Carlos is to speak with your own interpreter, José Luis García Pérez:

Q: There were people in the room who reacted to the movie, questioning your character that wasn't more forceful with the girl who threaten...

José Luis García-Pérez: It is very easy to say when you do not live this situation. Know not sure how to react if any live situation. I doubt very much that we knew to defend us in any way. In the case of Carlos, obviously he is hamstrung by their own fears but I am also sure that they are part of the fears of everyone else.

Q: As it would have been interesting to know more about the past of Carlos so that the public do not ask him constantly that react...

José Luis García-Pérez: Finish reacting how you react. Fear, in general, takes you to make wrong decisions. In this case, very wrong. Live in fear as human beings and as a society to not experience changes and want to stick with what we know, I think that ultimately is the metaphor of the film and the novel, takes you to make wrong decisions which is in the case of the decision of Carlos.

Q: cost ourselves to say our own fears...

José Luis García Pérez: When we started rehearsing the film, began to work on what everyday fears we have of those who are not aware. For example, I have the fear of electricity, is true in my life. I've never been keen to change bulbs but when you get to go deeper, you realize realize that you live with fear of electricity. That affects my life. That's a small part but deeper fears are that, ultimately, move to the society.

Q: Another reflection that led me from the movie is that we know very well judge the fears of others...

José Luis García-Pérez: Of course. We all know what to do in the situation experienced by the other. From a rupture of the couple, when you say "when a window closes, another opens", I think "you know, what will happen?". It is very easy to empathize with the other dramatic situations. When you are living the other is positive, it costs us more to be able to empathize with them.

Q: Francisco Espada told us that when he read the novel, he wanted to adapt it and said you to read and you said you make it to the director, who did it, you wanted to make the casting. Why?

José Luis García-Pérez: During the process of "Un novio para Yasmina", he sent me the script giving for granted that wanted me to do Fabian (the policeman who plays Eduardo Velasco) by myself and by my appearance. And I told him that I didn't want to make Fabian, I want to make Carlos for my reasons, obviously, but primarily by delve into a character that, in principle, I do not empathize. Same as everyone.

'El Pais Del Miedo' related to school violence with the crisis

• Seventh film screened in the Malaga fair
• The film is in a radiant theme after the event at Barcelona

Hours later bloody nightmare lived in an Institute of Barcelona, it is impossible that a film that reflects a problem so unfortunately omnipresent as the school violence is envisioned in a normal way.

If to receive on Monday at the Malaga Festival, the news of the murder of the teacher were not few people who recalled the attack on a teacher in the heroes of the evil, which entered in competition on Saturday, the start of the competition on the day of Tuesday has deployed a fatally timely coincidence. 'El pais del miedo ' delves into the Spain's fear and the crisis from a case of school violence. The debut of Francisco Espada portrays recent psychosis caused by the economic situation with a case of 'buyllying' as a trigger for the screenplay inspired by the novel by Isaac Rosa.

Nonetheless, and with the harassment to a minor in an Institute of Badajoz as starting point and essential resource for the development of the plot, the director of the film, Francisco Espada, preferred to qualify it as "a social thriller". "Barcelona has been a terrible news that gets in front of the present atremendous topic, but I would say that mine is not a film about bullying, but a social thriller about how fear conditioned our behavior within the society".

"Start with the case of bullying at school and it becomes a case of harassment of a child to an adult who requests money, is a metaphor on this consumer society, so designed to compete and become the first, and the frustrations that causes", added Espada to refer to the approach which has been the seventh feature film in the competition this year in the Malaga official section.

In 'El Pais Del Miedo', its predictable portrait of the Spain plunged into psychosis of the crisis is saved, somehow, by the action of José Luis García Pérez, absolute protagonist in the skin of a father who is emotionally destabilized to discover that your child is being harassed at the public Institute in which his wife embodied by Cristina Plazas, didn't register it.

Beset by a violent child, Garcia Perez roams defeated fear and lying in a tape - which also involved as Eduardo Velasco or Kiti Manver - that is riddled with allusions to the current Spain. Cuts in the education, the world of the civil service, the insecurity, August wanting to make private security companies, or labour exploitation covered by the scythe of the you are, among other issues.

Courtesy by eldia.es.

Francisco Espada sobre su película el país del miedo intento colocar al espectador en el incómodo lug from JoseLuisGP fans

The screenwriter, producer and director of the film 'El Pais del miedo', Francisco Espada, has assured that in his first feature film he has tried to place the Viewer "in this uncomfortable place of coward". The first film premieres on 21 April, at the Teatro Cervantes de Málaga 2015 Festival.

In an interview with Reuters, Espada has confessed that at first "I didn't direct the film" since bought the rights from the homonymous novel by Isaac Rosa in 2008 "to hire a screenwriter and a director".

Seven years in search of the necessary funding, finally he has been completed with the support of the Ministry of culture, 20% of the Government of Extremadura, Canal Sur and 'Skylight' producer's own funds, as it has indicated Espada have passed since then.

'El Pais del miedo' tells the story of Carlos (played by José Luis García-Pérez), a calm parent that he has a calm and orderly life until Marta (Recio Marina), a 13-year-old girl, starts to harass and extort in the Institute to his only son, Paul (Moisés Ortega).

When Carlos and his wife, Sara (Cristina Plazas) learn the situation that their child is living in a situation, both try to help, but Carlos is who also ends up being victim of harassment of Marta as a result of their fears and their inability to deal with certain situations.

Asked what led him to choose this story for his first feature film, Francisco Espada has pointed out that he is "very identified" with the character of Carlos, felt even though it is not considered "a coward". "I was struck how I had identified with it and that it was a social issue with structure of thriller", underlined.

"I try to place the viewer in the place of Carlos, in this uncomfortable place of the cowardly because almost nobody wants to identify with the more mean-spirited that we consider each. I also want to propose that he chose siding through the different options that arise in film", he has explained.

FROM THE POINT OF VIEW OF THE ACTOR

Francisco Espada has not only directed 'El Pais del miedo'. He has also written the screenplay for what first did a "treatment of the novel without dialogues" then "discuss it". "All that work has been from the point of view of the actor", has assured the director that in the 80's it was formed in Madrid as an actor.

In addition, you have added that the approach to situations has been conducted as if they were "microcosms" ensuring that all had "approach, knot and outcome". "The film is as if it was a big transition that has no transitions," he pointed out.

About the protagonist of 'El Pais del miedo', the director of the film highlighted the "luxury" and "pleasure" that has been working with José Luis García-Pérez, who "as well as having a great talent and he is hardworking". Marina Recio, who plays Marta, has emphasized that she has had to compose the character because she is "sensitive, intelligent sweet" and not the "kaffir" which is in the film.

At this point, added that one of his concerns was "credible" that a girl like Martha could intimidate a character like Carlos measuring 1.80. "It was a challenge to tell that the problem is not a problem of weakness", has riveted.

Also in an interview with Reuters, José Luis García-Pérez has insisted that his character, Carlos, "at the bottom, he is a coward" and "what he does is to cover its short comings" when he faced with the things. "we all have fears, to an outlet when it is needed, but how to face these fears is that the character's mark," he defended.

As explained by the protagonist, Carlos "faces fears from the lie". "Lying to others, lying to your partner, lie to society, lie yourself takes you to decisions wrong, in the film, in life, in society", he said.

About how you have prepared the character, he has confessed "very manic with emotional characters connector", i.e., "with the way, evolve characters". "In my way of working, so that it is me that fairly know well the thing, I need to know how the character is walking", he said.

In this sense, Jose Luis said "it goes to the director as the same" so were "long" working was like the evolution of the character. "According to those fears, starts to not be able to overcome them... How it is decomposing", he highlighted.

"At the beginning (Carlos) is very quiet because he has full assurance. As soon as there are things that are changing the reality in which he lives begins to not knowing how to handle it. We did that with time, with great dedication. I take as a kind of giant box, a very large oil where I'm tagging graphs and things about the character development. "Is the guide which I based to do so because if not ultimately it wheels today you die tomorrow you marry", explained.

"ANYONE CAN SPEND"

In his view, "a little bit what it sought to" Francisco Espada is the viewer be identified with Carlos. "In the novel by Isaac Rosa, which is already in the film that it can happen to anyone." None of us know how we will react to certain things," he warned.

Actor and director worked together in 'Un novia para Yasmina', in which Espada participated as producer and film that was nominated at the Goya Awards. "I was involved in doing something with Francis from the beginning. These are the people who change things. Someone pawned, in Badajoz, in film-making and creating film. That is very value. Our relationship is intense, creative and I love him and I admire a lot. It looks like a brave", he assured.

For this actor from Seville, living in Bangkok, where the film was shot, "is being at home" for me.Extremadura is being at home. "The team is professional and family treatment and makes everything comfortable. For me, it is wonderful. I aimed right now to the next do (Francisco Espada) when you make it! ", has exclaimed."

Jose Luis Garcia Perez releasing his another film in 2015 directed by Imanol Uribe, 'Lejos del mar', with Eduard Fernández and Elena Anaya. He is also in shooting a production on Hernán cortes for TVE and tour with the 'Don Juan Tenorio' of Blanca Portillo. "Happy, happy, very happy," said.

On the other hand, he has been convinced that cultural VAT, which he calls "ideological", is going to be changed "because if they leave others will change and if they go out they will change because they will seek votes".